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To imbue your character with movement, you can keyframe the iClone animation by hand, use one of the 300 pre-made motion files that come with the app, or buy one from the ActorCore store, where you’ll find hundreds of collections and individual motion files to suit any project. Create 2D motions from 3D using Motion Link between iClone and CTA (Image credit: Tom Jantol) It’s a bit like old-school rotoscoping, where you’d use film footage of a person moving to act as reference for your hand-drawn animation, but here it’s all done automatically thanks to Motion Link. Now, with the two apps linked, any animation you apply to the 3D iClone character (a dummy figure will do) is reflected in the 2D character in CTA. There are hundreds to choose from and they’re not very expensive. For CTA to work with iClone, you need a G3 character with a bone structure in place, just like you’d find in a rigged iClone figure – you can use one of several that come with the app, create your own, or buy one from the Reallusion store. But with the combo of CTA and iClone it’s dead easy. Traditional 2D character animation is painstaking, time-consuming work, requiring you to draw and colour subsequent frames to create the illusion of movement. The 2D animation of the magician is created in CTA, but to make things easier, iClone and CTA are linked together using a plugin called Motion Link – now the two programs can talk to one another. Build a 3D room and add lighting in iClone (Image credit: Tom Jantol) The last job is to import a human figure from Reallusion’s Character Creator, and carefully pose his arms and legs so it looks like he’s lying on the bed.
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Two flat planes are then created: one to hold a static background image for the TV and one for the magician character, which will be added later. iClone’s realtime visuals mean that feedback is instant: no continual tweaking and rendering to see the result of your edits.
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It’s then a simple case of adding some light sources for the lamps and fill light, then tweaking the brightness and colour to make the scene suitably nighttime-looking and a bit spooky.
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However, rather than spend ages crafting one from scratch, Jantol bought the bedroom from Reallusion’s store, which is full of affordable 3D assets.
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The first step is to build and light the bedroom scene in iClone 7. Magician merges the worlds of 2D and 3D imagery (Image credit: Tom Jantol) Some TV noise filters are applied in AE, and then the animated magician footage is cropped and trimmed using pop video, and imported into the iClone scene ready for the final touches. Cartoon Animator 4 (or CTA for short) is used in conjunction with iClone to create the animated magician, ready for export to Adobe After Effects (AE). Combining these various elements meant using a number of programs – it’s not unusual to employ a multitude of tools in this way, with each one bringing its own strengths and efficiencies.Īs a quick overview, for this project, Jantol used iClone 7 to build and light the main bedroom scene and animate the sleeping character. The project Magician by Tom Jantol features a character, asleep in his four-poster bed, oblivious to the glowing conjurer who leaps from the world of the 2D television screen into the ‘real’ world of 3D.